By Francesc Zamora Mola
Anirresistible package deal for owners and designers alike, the newest quantity inHarper Design’s one hundred fifty top sequence positive factors inspirational profiles of a hundred and fifty of themost fascinating modern residences from around the globe. Curated byacclaimed structure and layout journalist Ana G. Cañizares,editor of 150 most sensible apartment Ideas and Great New constructions of the World,the groundbreaking 150 most sensible New condo Designs delivers a robustcollection of the main leading edge advances in glossy house layout. Hundredsof full-color images unfold throughout greater than six hundred pages show the simplest ineco-conscious structure, low-maintenance layout, and different cutting-edgetrends which are redefining spatial layout, in an indispensible asset forcreating the residence of day after today, this present day.
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But the legacy left behind would be much more important and precious than has been understood, investigated and outlined thus far, given the fact that from this experience, from this climate, such cases of production of radically transgressive objects have emerged as: the lamps and picnic gear made by the Laboratorio di Nuovo Artigianato Casa Anas founded in Florence by UFO in 1975, which continued its activity until 1985; the interpretation of “dressing design” by Lucia Bartolini with Archizoom Associati in terms of “modifications of the use of second-hand objects and garments”; the relationship between design and art objects in which to insert certain production segments like that of furniture, with the long-lasting initiative Abitare il Tempo of Ugo La Pietra; or the work with pre-school children (Global Village) conducted by the Cooperativa dei ragazzi founded in Florence by Giovanni Pecchioli, Lucia Pecchioli, Gilberto Corretti, Dario Bartolini and Lucia Bartolini, based on participation of volunteers and the invention of new pedagogical paths.
This was the first workshop of the Body Group of Global Tools, a therapeutic design school without a location. ” As opposed to the established and accepted practice of a technological, comfortable, useful and functional design, the intent was to posit a nomadic practice for an archaic, dysfunctional design. The logical and procedural short-circuit can generate apparently useless and challenging objects through which to think about design certainties and the need to nurture a dialogue between art and design, between the body La camorra, Body Group research material, Archive Davide Mosconi SALT015-GLOBAL TOOLS-051 BODY as a primary utensil and objects as propaedeutic prostheses, aimed at a theoretical and creative reformulation of the idea of the form/function relationship.
Paola Navone, Franco Raggi, Andrea Branzi, Daniela Puppa and others still were involved, the key figure to emerge from this experience was that of Alessandro Mendini, who, in 1979 – following a short stint as editor of the magazine Modo, starting in 1976 – had become the editor of Domus, and who, with Alchimia, would be the creator, among other things, of Architettura ermafrodita: an environment that has clear echoes of the attempts and experiments of Global Tools on the theme of the body. , who quickly emerged from the Alchimia initiative to found the Memphis group in Milan in 1981 (at the age of 64), together with Barbara Radice and thanks to the particular support of the lighting company Artemide, an experience that continued until 1988.